提示されている画像を拝見しましたが、そこに写っているのは “陣中日誌の表紙” と、文字が潰れて詳細が判読できない本文の数ページだけです。

表紙から読み取れるのは、

・歩兵第十一聯隊第七中隊の
・昭和十七年三月一日〜三十一日の
・通常の行動日誌

…という、ごく事務的な情報だけです。
これは行軍や宿営、天候などを淡々と記録する性質の文書で、画像内にも “虐殺を示す語句” はどこにも確認できません。

学術的な史料批判の観点では、史実を断定するには最低限、

・問題の記述そのものの提示
・全文の文脈
・原本の所在と真正性
・改変可能性の排除
・他の一次史料との照合

といった条件を満たす必要があります。

しかし、今回の提示は「表紙と判読不能な断片」 だけで、
これでは大使館の主張する
『民間人虐殺の公式記録が発見された』
という断定を裏付ける材料にはなりません。

なお、マレー半島での民間人殺害についてはこれまでも 「疑惑として議論されてきた」 ものの、
倭国軍側の公式文書に虐殺を明記したという決定的な一次史料は確認されていません。
大使館が述べる「1987年に公式記録が発見された」という点も、倭国側、マレーシア側、国際的研究のいずれにも一致する事実ではありません。

まとめると、
今回提示された画像だけでは、中共大使館の主張と史料の中身が一致しておらず、検証可能な根拠としては不十分です。
歴史の議論には、まず 実際の証拠が必要だと思いますが？

Having looked at the images you provided, it’s clear that they show only the cover of a jinchū nisshi (a field activity log) and a few inner pages whose text is too blurred to read in detail.
The cover simply indicates:

7th Company, 11th Infantry Regiment

March 1–31, 1942

An ordinary monthly activity log

This type of document usually records routine matters—movements, encampments, weather, patrols—not massacres.
And, crucially, nothing in the visible text of these images contains any terms or descriptions that suggest killings or atrocities.

From the standpoint of basic source criticism, asserting a historical fact requires at least:

The specific passage in question

The full contextual text

The location and authentication of the original document

Protection against alteration or selective citation

Corroboration with other primary sources

None of these requirements are met by the images presented here.
A cover page and unreadable fragments cannot, by themselves, substantiate the claim that “official records of a civilian massacre were discovered.”

It’s also worth noting that while allegations of civilian killings during the Malayan campaign have been discussed in academic literature, there is no confirmed Japanese military document explicitly recording such acts.
The claim that “official massacre records were discovered in 1987” is not supported by Japanese archives, Malaysian public records, or international scholarship.

In short, the images shown do not match the assertion being made, and they November 11, 2025

すごいインプ、、、
みんなもやりたかったんですね！
プロンプト置いておきます。お好きなキャラクターでどうぞ(少し実写になりがちかも)
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Based on the uploaded reference character, generate a live-action scene inside a wide Tokyo girl’s apartment — a bright, lived-in one-room that feels almost 1LDK in scale. White walls, warm wooden floor, beige curtains, a low bed with soft bedding, a desk with cosmetics, bookshelves, plants, a standing mirror, a rug, scattered personal items, and a compact kitchen area in the back. The room must have strong depth with clear foreground, mid-ground, and deep background layers.

Place around thirty identical versions of the same character (same face, hairstyle, outfit as the reference) throughout the room, each in a different action or interaction. Vary distance, scale, height, and visibility so the density feels natural.

Foreground (very close to camera / partial occlusion):
- characters walking past the lens, slightly out of focus
- a hand or shoulder entering frame
- one leaning close toward the camera
- one half-visible behind a large plant
- one sitting directly in front, tying her hair
- one kneeling by the desk adjusting objects

Mid-ground (main room area):
- one stretching beside the bed
- one sitting on the bed checking her phone
- one lying belly-down across the bed
- one reaching under the bed
- one organizing cosmetics on the desk
- one flipping through a book on the shelf
- one standing in front of the mirror
- one crouching on the rug
- one leaning against the wall
- one looking out the window
- one adjusting the curtain
- one carrying laundry
- one drinking from a cup
- one tidying pillows
- one sitting on the floor eating snacks
- one doing a small jump or motion blur gesture
- one moving a small chair

Background (deep perspective / near kitchen and hallway):
- one standing near the stove drinking water
- one opening a cabinet
- one sitting on a stool
- one leaning in a doorway
- one walking toward the hall
- one silhouette partly hidden behind the fridge
- one reaching up to a high shelf
- one standing far by the entrance area
- one barely visible through the hallway frame
- one sitting on the floor near the kitchen rug

Ensure strong layered occlusion: foreground characters partially block mid-ground ones, and background characters appear smaller with natural perspective falloff. Scatter the thirty characters organically, avoiding symmetry or grid alignment. Lighting is soft natural daylight from the window, consistent across all characters for full integration.

Placed within a live-action background that matches the illustration’s posture and composition — while faithfully preserving the illustrated texture and style. Realistic lighting, depth of field, and subtle filming effects are applied to blend the illustration seamlessly with the real environment. November 11, 2025