海外の安全保障筋には、
倭国の立場をこうした視点で語る論考も見られる。

もちろん、私はどの国のナラティブにも寄らない。
米国でも中国でもなく、
倭国にとって何が現実的で、どこに盲点があるのか
という軸で情報を見ている。

この論考には海外特有のバイアスや、強めのレトリックも含まれる。
しかし同時に、
“外から倭国がどう見えているのか”
という点では、国内ではほとんど共有されない示唆もある。

とくにこの種の議論は、
・倭国の対米依存の構造
・米中関係の変動がもたらす圧力
・倭国がどれほど主体的な戦略を持てているのか
・海外から見た倭国の「強さ／弱さ」
といった大きな文脈を扱っている。

もちろん、倭国の現実を単純化しすぎた表現もある。
それでも、国内の議論とはまったく別の角度から
“倭国という国の位置づけ” を見直すきっかけにはなる。

特定国の立場を代弁する意図はまったくない。
むしろ私は常に、
「どの国のプロパガンダにも流されないために、海外の視点を比較する」
という立場で見ている。

その前提で読むと、
こうした外部の分析は、国内では見えにくい角度を補ってくれる。

耳を塞いでいては、何も始まらない。

Some analysts abroad discuss Japan’s strategic position from this standpoint.
As always, I don’t align myself with any country’s narrative—neither American nor Chinese.
My focus is solely on what is realistic for Japan, and where our blind spots may lie.

This particular commentary contains strong rhetoric and certain biases typical of overseas analysis.
Even so, it provides insight into how Japan is perceived from the outside,
a perspective that rarely appears in domestic debates.

Such viewpoints often examine:

・Japan’s structural dependence on the United States
・Pressures created by shifting U.S.–China dynamics
・How much strategic autonomy Japan actually possesses
・External assessments of Japan’s strengths and vulnerabilities

Some parts may simplify Japan’s reality,
but the contrast with Japanese domestic discourse is revealing.

I am not endorsing any country’s stance.
If anything, I compare multiple foreign perspectives
precisely to avoid being swayed by any country’s propaganda.

From that standpoint,
external analyses like this can illuminate angles
that are easy to overlook from within Japan.

Progress never begins by covering one’s ears. November 11, 2025

ノンケのはずなのに、この漢には抗えなかった。気づけば感じている自分がいた…

Even though I'm straight, I found myself getting turned on without realizing it...

Co-star:@chiba_yuto_bb
Director:@SG_GAY_VIDEO

Full video
🔓https://t.co/CzEqyi2Yxc

https://t.co/uzajovv1Hz November 11, 2025

「CEO of India」のシーンがカンナダ語字幕付きでHombale FilmsのYouTubeに上がっていたのでありがたく書き起こししてる………🙏

「ﾁｪﾁｪ！ｲﾙﾜﾗ！」（No, not at all!）とか
「ﾅﾝﾒﾚ！」（Against myself）とか分かってうれしい🩷

日常会話で使えそう（？）

#KGFで学ぶカンナダ語 https://t.co/0CKKRtdwIQ November 11, 2025

2025.11.26 at.代官山UNIT
#蒲田めい ONEMAN LIVE "Hello myself"

シンガーソングライター
蒲田めいちゃんのワンマンライブ
ドラム･コーラスでサポートでした！

楽しそうな皆さんの笑顔を見て、
多くの人を笑顔に元気にさせる
パワフルな蒲田めいちゃんの
パフォーマンスに改めて尊敬でした。

ありがとうございました🥁✨

◇ Band member
Gt. 白須賀悟
Key. Band master オル
Ba.イワモトナオキ
Dr.Cho. かとうめい

敬愛する素敵な先輩方とお届けでした✨ November 11, 2025

最近、自分の作品を見るのがつらい。
I have slowly started to hate my own art.

Art is supposed to be about experimenting, discovering what you love and what you do not, and eventually shaping a style that feels like your own.

When I began making these photos a year ago, it was to express the things I carry inside. Those early pieces were raw feelings turned into images. I wanted to make photos I could cry into, and for a long time that is what I did. They were only for me to look at.

Then I began experimenting more. I introduced new colors, polished my technique, and chased the idea of creating pretty art. I pushed myself further by making assets and adding them into my photos.

There was progress. The images became more refined and visually appealing. I learned a lot. They looked beautiful.

But when I look at them, I feel nothing. I try to convince myself there is meaning or emotion, but deep down I know I am not connected to them. I do not even like looking at them after posting. I kept asking myself what went wrong. I thought I had already found my style.

For the past six months I have grown to dislike my own work, yet I kept creating, hoping that spark would return. It never did.

My art felt soulless.

So I stopped posting as often and tried to figure out what was wrong. I read, listened to artists, bought art books, anything to bring back that spark. None of it helped.

This week, after spending time with friends and talking to new people, I finally realized the truth.

I was focused only on making polished and beautiful images and forgot to pour myself into them. I kept repeating the same formula and drained myself without noticing. I convinced myself that was the right way.

I went back to my older pieces and really looked at them. That was what I should have continued. Experimenting is important, but I drifted too far from expressing who I am.

I love what I used to make. There was an uncanny, uneasy, unanswered feeling in those works. That is what I want to continue. And now, with everything I have learned, I feel like I can do it even better.

Thank you for reading this long message. This is mostly a note to myself, a moment to mark my new direction. If you read this far, thank you for listening to me talk about my struggles. As a small thank you, please send me a message. I made a very odd accessory to remember this moment and I would love to share it with you.

Beige

(artworks new -> old) November 11, 2025

めっちゃ横道外れました。
旦那が好きな曲。

Return to Myself https://t.co/h2tAGmmbJ4 @YouTubeより November 11, 2025