おはようございます☀
萬月邸新曲「諸行無常City.」配信開始しました！！！！
そして歌詞表示機能がある場合みることができるので是非楽しんでいただければと思います！
下記ページでも歌詞が読めます！
作編曲はHuge M氏(@hugemBP )
ジャケイラストは明星氏(@myojo_8989 )
https://t.co/CLvXQDv28E https://t.co/lUTh1utke7 December 12, 2025

赤城山のような保護林へのこのような不法投棄は、断じて許されません。 倭国の貴重な自然を、処分費用を数円節約するために破壊するのは、利己的で卑怯な行為です。 警察と地方自治体が彼らを追跡し、逮捕に至ったことに、心から敬意を表します。 裁判所が彼らに厳罰を科し、最高額の罰金と懲役刑を科し、企業には清掃と森林再生のための費用を全額負担させることを願っています。 倭国の自然、そして世界の自然は、ゴミ箱ではありません。🇯🇵🌲

This kind of illegal dumping in protected forests like Mt. Akagi is completely unacceptable.
Destroying Japan’s precious nature to save a few yen on disposal fees is selfish and cowardly.
Huge respect to the police and local authorities for tracking them down and making the arrests.
Hope the courts throw the full book at them: maximum fine + jail time, and make the company pay every yen to clean it up and restore the forest.

Japan’s nature or any nature in the world isn’t a trash can.🇯🇵🌲 December 12, 2025

安倍政権や高市政権の言動を考えると、下のような言葉が他国から再び倭国の代表に投げかけられる近未来の可能性を否定できない。倭国人がきちんと近現代史を理解し、今の世にはびこる詭弁を徹底的に軽蔑し否定していかないと、倭国という国は危ない—倭国に住む人々にとっても他国の人々にとっても。

“I must say that in all my conversations with you… during the last nine months I have never uttered one word of untruth. This is borne out absolutely by the record. In all my fifty years of public service I have never seen a document that was more crowded with infamous falsehoods and distortions—infamous falsehoods and distortions on a scale so huge that I never imagined until today that any Government on this planet was capable of uttering them.” December 12, 2025

昨日は久しぶりのSD-1。
やっぱり自分にとってのベストだと再認識。
ケトナー特有のミドルをいい感じにカリッとしてくれる。
誤魔化しが効かなくて弾きにくい音にはなるが、自分が求めてるのはこういう音。
弾きにくい音でもしっかり弾ききれないとですね…。
精進します。
#HugesandKettner #SD_1 https://t.co/QK62Dsvu22 December 12, 2025

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。

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Extreme wide-angle perspective and dynamic pose remix edit.
This is an EDIT of the original image, not a new character.

Use the original image as a strict reference for:
– the person’s identity, hairstyle, and overall fashion style,
– the general type of background and location (same street, same room, same beach, same kind of architecture, etc.).

You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design.

Camera and perspective:
– Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look).
– The camera angle MUST change significantly from the original: use dramatic angles such as
• worm’s-eye view from directly below looking up,
• bird’s-eye view from directly above looking down,
• very low angle from the ground,
• high angle from above,
• tilted Dutch angles.
– Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective.
– The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime.

Background consistency:
– Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials.
– Do NOT replace the background with a completely different place.
– Because the camera angle changes, it is allowed and expected that different parts of the environment become visible.
– When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place.

Body parts near the lens (1–2 parts, sometimes 3):
– In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses).
– Vary them from image to image, do NOT always use the same body part.
– Allowed near-the-lens parts include:
• one or both hands / fingers reaching toward the camera,
• one or both feet / shoes / boots near the lens,
• knees or thighs,
• face very close to the lens,
• shoulders or chest close to the lens in a leaning pose.
– The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion.

Pose and overall body (complex and varied):
– Create strong, cool, dynamic poses that match the extreme perspective.
– Randomly use different pose types, including:
• standing with one leg or one arm reaching toward the camera,
• crouching or squatting low to the ground,
• sitting on the floor or on objects,
• lying on the ground with legs or feet toward the lens,
• leaning forward aggressively toward the camera,
• twisting the body, crossing legs, or arching the back for more dynamic lines.
– Allow complex poses where:
• both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer),
• both feet are toward the lens,
• one hand and one foot are both large in the foreground,
• the face is close to the lens while hands or feet are also visible in perspective.
– Maintain believable anatomy even with extreme foreshortening.

Angle and attitude (randomized):
– Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful.
– Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit.
– Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person.

Lighting and rendering:
– Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic.
– Maintain realistic shadows and contact points with the ground or floor.
– High-resolution, sharp details with clear skin texture, fabric weave, and material highlights.

Variation and randomness:
– Each edit should look noticeably different from the original image and from other edits, with different:
• camera angles,
• pose types,
• which body parts are closest to the lens,
• orientation (straight, tilted, from above, from below).
– Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles.

Strict rules:
– Do NOT change the person into someone else.
– Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing.
– Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place.
– Do NOT add text, logos, watermarks, or graphic design elements.
– Do NOT switch to painting, illustration, or anime style; keep it photorealistic.

Overall:
Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment.

Also, below is the prompt for generating the original image. Please use it as a reference.
[Prompt for original image]
#nanobanana2 December 12, 2025