【お知らせ】

『HATSUNE MIKU: COLORFUL STAGE!』4周年記念楽曲、
SAWTOWNE「Chu! Future☆Express」のMVイラストを担当しております！

たくさん気持ちを込めて制作したので、
ぜひフルでご覧いただけると嬉しいです🌏💖 https://t.co/Gex2cPlYKI https://t.co/AfAivECsDN December 12, 2025

Stray Kids × JR東海
「Stray Kids Special Express」

ご乗車いただいたSTAY、ありがとうございました❣️

スキズ仕様に装飾されたSTAY専用貸し切り新幹線はいかがでしたか？🚅🧡

SKZOOもみなさんと近くで会えて嬉しそうでした😆

推し旅コラボは5/31まで、まだまだ続きます💫
たくさん楽しんでください🫶

#StrayKids
#スキズ
#JR東海
#推し旅 December 12, 2025

2025年のラストランはSL THE ALFEE EXPRESSでした🎸✨

12/7で2025年のSLパレオエクスプレスの運行が終了しました。

無事本年の運行が終了できたのは、たくさんのお客様に支えられたおかげです🙇‍♀️
ご乗車いただきありがとうございました🙇‍♀️ https://t.co/OH9hdkbyEV December 12, 2025

今後のパリCDG、市内行き交通アクセス

・RER B線🚃でパリ北駅
（直通列車を強く推奨、他は治安最悪）
・新設「9517番」バス🚌でサン・ドニ・プレイエル→地下鉄14番線でパリ中心部へ
・タクシー定額
（ぼったくり注意）
・CDG Express🚆パリ東駅まで2027年開通予定

パリ、難易度なかなか高い December 12, 2025

愛知御津
愛知みと
みと

とても親近感ある駅名だ。
ここにTHE ROYAL EXPRESSが停車
車両全体が陽光に当たって美しすぎる。
空は、ロイヤルブルー🩵
町中を走るクルーズトレインは仮に悪天候でもすれ違い列車が楽しめるのでオススメ。

#ザロイヤルエクスプレス https://t.co/CbGTkEr5qZ December 12, 2025

12月8日8時13分 配信
『遅延』
特急「ひたち２号」は、常磐線内での信号確認の影響で、遅れがでています。 #特急・急行 #Limited_express #Express https://t.co/qHaJkT7373 December 12, 2025

12月8日8時45分 配信
『遅延』
特急「ひたち２号」は、常磐線内での信号確認の影響で、遅れがでています。上野〜品川駅間で区間運休となっています。 #特急・急行 #Limited_express #Express https://t.co/qHaJkT7373 December 12, 2025

12月8日8時38分 配信
『遅延』
特急「ときわ５８号」は、常磐線内での信号確認の影響で、遅れがでています。 #特急・急行 #Limited_express #Express https://t.co/qHaJkT7373 December 12, 2025

ハイイロアザラシは時々激しく感情表現…からのフリーズも楽しいですの件。今だけ限定の産毛生え変わりDropjも応援しよう！
Grey seals sometimes express their emotions intensely, and it's fun to see them freeze up afterwards. Let's support Dropje!
#アザラシ幼稚園
#wecwaddenzee #fanart https://t.co/FKqAgnBz3C https://t.co/3R8AgELg0L December 12, 2025

わいゴルフやのにこのPRGR TUNE7wのフルチタン羨ましすぎて泣けるわ😭誰か買って〜！

【希少】PRGR TUNE 7w Fire Express BX70 F3
https://t.co/lNtQRIkQkr December 12, 2025

@totttytottty ありがとうございます😊
素敵なスタートきれました。
Tottyさん、これからも宜しくです🫡

EnglishとSmile
→good expressions made me happy😊 December 12, 2025

@munakata_ST むなぞーさん、おはようございます(⁠ ⁠ꈍ⁠ᴗ⁠ꈍ⁠)

駅前のFitCareExpressで見たことあります(⁠≧⁠▽⁠≦⁠) https://t.co/PvoreABCWQ December 12, 2025

2025.12.06 (Sat)
StrayKids Special Express🚄

グリーティング終わって帰るとき、
ガーランドに耳が引っかかっちゃって
しょんぼりしちゃったリビ🥹🐰💘

さすがにかわいすぎてｷｭﾝ…🫶🏻

#StrayKids #JR東海 #推し旅 https://t.co/3g8u5L0urD December 12, 2025

Night on the Polar Express
Smokinbones
--
静かなクリスマスの夜、極地特急に乗って北極へ向かおう。映画さながらの車体と車内で、列車はトンネルを抜け、氷の上や雪原を走り続ける。極光が揺れる雪の夜に包まれながら、もう一度クリスマスの奇跡を見つけよう。
#VRChat_world紹介 #VRChat #VRC https://t.co/OPmMAHQW0D December 12, 2025

2025年12月7日
SL THE ALFEE EXPRESS🚂
櫻井さんも見ていただろう山々を背に🎶
#ALFEE
#秩父鉄道
#パレオエクスプレス https://t.co/Vo2DhrwSOm December 12, 2025

Z-imageを使って高品質画像を秒速で生成してみたら想像以上に良かったです✨

特徴としてはとにかく生成が早い！
誇張抜きに秒です。
そしてなんといっても超現実的な表現でリアル。
個人的にはGrokが好みなんですが並びますね。

ただt2iしかできなそうなので、あとで他のモデルでカスタムする使い道がいいかなって思ってます。

せっかくなので同じプロンプトで他のモデルとも生成して比較してみました。

1枚目：Z-image
2枚目：Seedream 4.5
3枚目：Nano Banana Pro
4枚目：Grok

【プロンプト】
Scene: cozy maid café or private bar counter at night. A young East Asian woman with long black hair in low twin tails, wearing fluffy gray wolf ears headband, white frilly off-shoulder maid blouse with black ribbon details and ultra-short black maid skirt with white lace trim, leaning forward over the wooden counter with both hands, looking back over her shoulder toward the camera with a playful expression. Background shows dimly lit shelves with bottles and glasses, warm hanging lamps creating bokeh, authentic cheap CCTV degradation, photorealistic-quality December 12, 2025

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。

---
Extreme wide-angle perspective and dynamic pose remix edit.
This is an EDIT of the original image, not a new character.

Use the original image as a strict reference for:
– the person’s identity, hairstyle, and overall fashion style,
– the general type of background and location (same street, same room, same beach, same kind of architecture, etc.).

You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design.

Camera and perspective:
– Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look).
– The camera angle MUST change significantly from the original: use dramatic angles such as
• worm’s-eye view from directly below looking up,
• bird’s-eye view from directly above looking down,
• very low angle from the ground,
• high angle from above,
• tilted Dutch angles.
– Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective.
– The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime.

Background consistency:
– Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials.
– Do NOT replace the background with a completely different place.
– Because the camera angle changes, it is allowed and expected that different parts of the environment become visible.
– When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place.

Body parts near the lens (1–2 parts, sometimes 3):
– In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses).
– Vary them from image to image, do NOT always use the same body part.
– Allowed near-the-lens parts include:
• one or both hands / fingers reaching toward the camera,
• one or both feet / shoes / boots near the lens,
• knees or thighs,
• face very close to the lens,
• shoulders or chest close to the lens in a leaning pose.
– The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion.

Pose and overall body (complex and varied):
– Create strong, cool, dynamic poses that match the extreme perspective.
– Randomly use different pose types, including:
• standing with one leg or one arm reaching toward the camera,
• crouching or squatting low to the ground,
• sitting on the floor or on objects,
• lying on the ground with legs or feet toward the lens,
• leaning forward aggressively toward the camera,
• twisting the body, crossing legs, or arching the back for more dynamic lines.
– Allow complex poses where:
• both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer),
• both feet are toward the lens,
• one hand and one foot are both large in the foreground,
• the face is close to the lens while hands or feet are also visible in perspective.
– Maintain believable anatomy even with extreme foreshortening.

Angle and attitude (randomized):
– Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful.
– Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit.
– Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person.

Lighting and rendering:
– Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic.
– Maintain realistic shadows and contact points with the ground or floor.
– High-resolution, sharp details with clear skin texture, fabric weave, and material highlights.

Variation and randomness:
– Each edit should look noticeably different from the original image and from other edits, with different:
• camera angles,
• pose types,
• which body parts are closest to the lens,
• orientation (straight, tilted, from above, from below).
– Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles.

Strict rules:
– Do NOT change the person into someone else.
– Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing.
– Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place.
– Do NOT add text, logos, watermarks, or graphic design elements.
– Do NOT switch to painting, illustration, or anime style; keep it photorealistic.

Overall:
Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment.

Also, below is the prompt for generating the original image. Please use it as a reference.
[Prompt for original image]
#nanobanana2 December 12, 2025

ただ、↑↑のプラグインそのままのコマンドだと、ツクールMZ内の変数を受け付けないので…。
計算式を使うなら、スクリプトで入力する必要があるのです。

意味は知らなくていいからイベントコマンドの『スクリプト…』に以下を丸写しして、『変数番号』だけ書き換えれ。。。#ゲーム制作 #ゲーム開発

//2Dモデル表示 (変数＝モデル名)
const args = {modelName:$gameVariables.value(変数番号)};
PluginManager.callCommand(this,"Live2DInterfaceMZ","show", args);

//2Dモデルサイズ変更 (変数＝モデル名、拡大率)
const args = {modelName:$gameVariables.value(変数番号),scale:$gameVariables.value(変数番号)};
PluginManager.callCommand(this,"Live2DInterfaceMZ","scale", args);

//2Dモデル移動　(変数番号＝モデル名、X、 Y、 時間)
const args = {
modelName:$gameVariables.value(変数番号),
x:$gameVariables.value(変数番号),
y:$gameVariables.value(変数番号),
dur:$gameVariables.value(変数番号)};
PluginManager.callCommand(this,"Live2DInterfaceMZ","pos", args);

//2Dモーション再生　(変数番号＝モデル名、モーション名、ループするかtrue/false)
const args = {modelName:$gameVariables.value(変数番号),
motionName:$gameVariables.value(変数番号),loop:"false"};
PluginManager.callCommand(this,"Live2DInterfaceMZ","motion", args);

//2D表情変更　（変数番号＝モデル名、表情名）
const args = {modelName:$gameVariables.value(変数番号),expressionName:$gameVariables.value(変数番号)};
PluginManager.callCommand(this,"Live2DInterfaceMZ","expression", args);

//2Dモデル消去　（変数番号＝モデル名
const args = {modelName:$gameVariables.value(変数番号)};
PluginManager.callCommand(this,"Live2DInterfaceMZ","hide", args); December 12, 2025