(See below for the English version.)
フィンランドの「つり目」ポーズに苦言を呈した当方の投稿に対して、フィンランドの大手新聞社よりインタビュー機会を頂きました。現地でどこまで報道頂けるかわかりませんが、当方の回答コメントを以下に記します。

＜新田回答コメント＞
今回の議論は、単なるSNS上の騒動ではなく、フィンランド社会がこれまで自認してきた「人権先進国」という自己イメージと、アジア系住民が日常的に経験してきた現実とのズレを可視化した出来事だと受け止めています。

まず私は、人権活動家のように声高に差別を糾弾したいわけではありません。むしろ、直接的に嘲笑されたわけではない私たち倭国人が抱いた感情は、「差別された」ことよりも、「アンフェアさに強い失望を覚えた」ことのほうが大きいといえるでしょう。

フィンランドは長年、世界に向けて高い倫理性や人権意識を掲げてきました。その姿勢は国際社会から尊敬を集めています。しかし、今回のように公的立場にある人物─国会議員、ミス・フィンランド代表、弁護士、人権団体のトップ─が差別的と受け取られ得る表現を軽視し、それを「幼稚な振る舞いではあるが差別ではない」と片付けてしまう空気が生まれていることには、率直に大きな違和感があります。

アジア系の表象を誇張し嘲笑する行為は、欧米社会で長年「差別の象徴」として明確に指摘されてきました。黒人に対するステレオタイプ表現は厳しく糾弾される一方で、アジア人に対しては“ジョーク”として扱われる。この基準の不均衡こそが問題の核心です。

さらに、フィンランド在住の倭国人からは
「学校や地域社会でアジア人差別が“透明化”されている」
「対応ガイドラインすら存在しない」
といった声が数多く聞かれます。今回の件は、単に一個人の失態ではなく、社会の無自覚なバイアスが表面化した現象と捉えるべきではないでしょうか。

重要なのは、今回の批判がフィンランド全体への敵意ではないということです。倭国人の反応の多くは、
「その高い道徳的基準は本物だったのか?」
「人権意識は単なる綺麗事だったのか?」
という、「これまでポジティブな印象を抱き続けてきたフィンランドに裏切られた」かのような失望感から生じています。

差別とは、加害者の意図ではなく、受け手の経験と歴史的文脈で判断されるものです。「差別かどうかは我々が決める」とする姿勢は、国際人権の潮流とも相容れません。

フィンランドは本来、対話と包摂を重んじる社会です。だからこそ、この問題が感情的な対立ではなく、フィンランド社会とアジア系市民の相互理解を深める契機となることを期待しています。

<A more detailed personal view on the issue>
This controversy is not simply a social media uproar; I view it as an incident that highlights the discrepancy between Finland's self-image as a "human rights-advanced country" and the reality experienced daily by Asian residents.

First of all, I do not wish to loudly condemn discrimination like a human rights activist. Rather, I would say that the feelings we Japanese, who were not directly mocked, felt more like "deep disappointment at the unfairness" than "discrimination."

Finland has long upheld high ethical standards and a strong awareness of human rights. This stance has earned it respect from the international community. However, I find it frankly very strange that public figures like this one—a member of parliament, a Miss Finland pageant winner, a lawyer, and the head of a human rights organization—are downplaying language that could be perceived as discriminatory, dismissing it as "childish behavior, but not discriminatory."

The exaggeration and mockery of Asian representations has long been clearly identified as a "symbol of discrimination" in Western societies. While stereotypical representations of Black people are severely condemned, those made against Asians are treated as "jokes." This imbalance in standards is the core of the problem.

Furthermore, many Japanese people living in Finland have said things like, "Anti-Asian discrimination is 'invisible' in schools and local communities," and "There aren't even any guidelines for dealing with it." This incident should not simply be seen as the fault of one individual, but as a manifestation of unconscious bias in society.

What's important is that this criticism does not reflect hostility toward Finland as a whole. Many Japanese people's reactions stem from a sense of disappointment, wondering whether Finland's high moral standards were genuine and whether its talk of human rights was merely empty words. They feel betrayed by Finland, a country they've always held a positive impression of.

Discrimination is judged not by the intentions of the perpetrator, but by the experiences and historical context of the recipient. The attitude of "we decide whether something is discriminatory or not" is incompatible with the current trend in international human rights.

Finland is a society that inherently values ​​dialogue and inclusion. This is why I hope that this issue will not become an emotional conflict, but rather an opportunity to deepen mutual understanding between Finnish society and its Asian citizens. December 12, 2025

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美品！ダウン90 INDIVIインディヴィ ダウンジャケットフォックスファー 紺
https://t.co/TJQExaKYvm December 12, 2025

Nano Banana Proで遊ぼう
【かめはめ波風プロンプト】
⠀
需要がありそうなので公開します！
ぜひ溜めて撃ちまくってください！
みなさんのカッコイイかめはめ波風
イラストをお待ちしています！
⠀
⚠️必ず最後までお読みください。
⚠️Nano Banana Pro専用のプロンプトです。
⚠️プロンプトの無断転載は禁止します。
⚠️signatureブロックの改変・削除は禁止します。
⠀
◆溜めポーズプロンプト
【基本プロンプト】
参照画像のキャラクターが溜めポーズをとります。
「aspect_ratio: "4:3"」でアスペクトを変更できますが「4:3」か「16:9」の横長の方が安定します。
⠀
￣￣￣￣￣￣￣￣￣￣
subject:
description: >
Same character as Reference Image A.
Facial features, hairstyle, body proportions, outfit, accessories,
art style, and background are preserved exactly.

composition:
framing: medium shot
angle: slightly low to eye-level angle
aspect_ratio: "4:3"
focus: >
A strongly twisted waist with both hands held close
along the side of the torso near the waist,
forming a concentrated charging pose.

action:
description: >
The character is in a classic energy-charging pose.
The waist and hips are twisted backward,
storing rotational energy.
The torso shows clear torsion,
but the hands remain positioned along the side of the body,
tucked close to the flank near the waist,
not behind the back.
Both hands are stacked vertically,
one above the other,
forming a cupped shape as if holding a sphere.
Fingers on both hands are slightly bent,
following the curvature of an invisible ball,
never fully straight or rigid.
Between the hands, a dense, glowing energy mass is formed.
The energy is fully compressed and contained,
pulging slightly between the hands,
but not yet released.
There is no beam, no forward blast,
and no directional discharge.
The character is shouting with a focused,
forceful expression.
Hair and clothing show subtle tension
caused by the contained energy,
without explosive motion.

location:
description: >
The background and environment are exactly the same
as in Reference Image A.

style:
description: >
Identical art style, line work, shading,
and rendering approach as Reference Image A.

camera_lighting:
description: >
Camera perspective matches Reference Image A.
Soft but intense blue-white light emanates
from the contained energy mass,
illuminating the hands, arms,
and the side of the torso.
Lighting suggests tension and buildup,
not release.

colors:
palette: >
Original color palette preserved.
The energy mass uses concentrated blue-white tones,
brightest at the core and softer at the edges.

text:
description: >
No text, letters, symbols, sound effects,
speech bubbles, or written elements.

edit_instructions:
description: >
Do not change character design, proportions,
clothing, art style, or background.
Do not render any beam, blast, flare,
radial burst, or forward energy emission.
Emphasize the twisted waist and the hands being held
close along the side of the torso near the waist.
Hands must not be placed behind the back.
Render only a contained, charging energy mass
held between the vertically stacked hands.

signature:
content: "Prompt by てんねん@ munou_ac"
position: bottom-left
font_color: white
font_size: small
opacity: 0.9
layering: text_layer
＿＿＿＿＿＿＿＿＿＿

【オプション：セリフ】
「か…め…は…め…」というセリフを配置します。
基本プロンプトの「text」ブロックを下記のプロンプトに差し替えてください。
※セリフは変更できます。

￣￣￣￣￣￣￣￣￣￣
text:
description: >
Display four separate speech bubbles within the frame,
each representing a step in the charging chant.
Each bubble contains only one short utterance,
in the following sequence:
“か…”, “め…”, “は…”, “め…”.
Each utterance appears in its own individual speech bubble,
not combined.
The bubbles are arranged across the composition
to suggest temporal progression and buildup,
guiding the viewer’s eye naturally through the sequence.
The typography is simple and readable,
matching the overall tone of the reference image.
The bubbles convey quiet intensity and anticipation,
not explosive shouting.
No additional text, sound effects, or symbols
appear anywhere in the image.
＿＿＿＿＿＿＿＿＿＿
⠀
◆かめはめ波風プロンプト
【基本プロンプト】
かめはめ波風のエネルギー波を横方向に放ちます。
オプションでセリフ・擬音と集中線を追加できます。
「aspect_ratio: "4:3"」でアスペクトを変更できますが「4:3」か「16:9」の横長の方が安定します。

￣￣￣￣￣￣￣￣￣￣
subject:
description: >
Same character as Reference Image A.
Facial features, hairstyle, body proportions, outfit, accessories,
art style, and background are preserved exactly.

composition:
framing: medium shot
angle: slightly high angle
aspect_ratio: "4:3"
focus: >
Vertically stacked hands on the body centerline
with an overwhelmingly large, swollen energy origin
dominating the area around the hands.
trajectory: >
Energy forms as a massively enlarged origin at the hands,
then narrows into a single horizontal beam.
The beam travels parallel to the ground
and exits the frame sideways.
No energy travels toward the camera.

action:
description: >
The character releases a powerful horizontal energy attack
while shouting with a forceful expression.
Hands are stacked vertically, never side-by-side.
The lower hand faces the firing direction with an open palm.
The upper hand presses its palm onto the back of the lower hand.
Palms do not face each other.
Fingers on both hands are slightly bent and relaxed,
never fully straight or rigid,
showing natural curvature and controlled tension.
At the hand contact point, energy swells dramatically,
forming an extremely large, heavily compressed mass
that is clearly larger than the hands and forearms.
This swollen origin is the dominant visual element
and functions as a pressurized release point.
From this origin, energy transitions directly
into a single, focused beam.
Any jagged blast edges or spiked energy contours
appear only in the firing direction,
fully aligned forward along the beam.
No blast, spike, glow, or energy fragment
may extend backward, inward toward the character,
or opposite the firing direction.
The rear side of the hands remains clean and smooth,
with no recoil, backflow, or reverse explosion effects.
Hair and clothing are pushed backward
by horizontal energy pressure.

style:
description: >
Identical art style, line work, shading,
and rendering approach as Reference Image A.

camera_lighting:
description: >
Same camera perspective as Reference Image A.
Extremely intense blue-white light originates
at the swollen energy origin
and spills forward along the horizontal beam.

colors:
palette: >
Original color palette preserved.
Brightest white at the energy origin,
saturated blue along the beam.

text:
description: >
No text, letters, symbols, sound effects,
speech bubbles, or written elements.

edit_instructions:
description: >
Do not change character design, proportions,
clothing, art style, or background.
Do not render radial bursts, fan-shaped spreads,
energy spheres, forward-angled beams,
or backward explosive effects.
Render a dominant swollen energy origin
that transitions into a single horizontal beam.

signature:
content: "Prompt by てんねん@ munou_ac"
position: bottom-left
font_color: white
font_size: small
opacity: 0.9
layering: text_layer
＿＿＿＿＿＿＿＿＿＿
⠀
【オプション：セリフ・擬音】
セリフと擬音を配置します。
「波―――っ!!!!!」
「ドンッ」
擬音は参照画像の雰囲気から推論してデザインします。
基本プロンプトの「text」ブロックを下記のプロンプトに差し替えてください。
※セリフと擬音は変更できます。

￣￣￣￣￣￣￣￣￣￣
text:
description: >
Display a vertical speech bubble near the character’s mouth
containing the shout “波―――っ!!!!!”.
The text is written vertically from top to bottom,
using an extremely bold, heavy gothic typeface.
Additionally, display a single onomatopoeia reading “ドンッ”.
The “ドンッ” appears only once and is rendered large and impactful,
allowed to overlap with energy effects, glow,
and motion elements if necessary.
Its size and presence emphasize impact and power,
while still matching the overall atmosphere
of the reference image.
No other sound effects, text, or written elements
appear anywhere in the image.
＿＿＿＿＿＿＿＿＿＿
⠀
【オプション：集中線】
集中線を描きます。
基本プロンプトの下部に下記を追加してください。

￣￣￣￣￣￣￣￣￣￣
extras:
speed_lines:
description: >
Add dramatic concentration lines (speed lines)
to emphasize intensity and focus.
The lines radiate toward the main action and energy release,
enhancing impact and tension.
The style, density, thickness, and color of the lines
should naturally match the overall atmosphere
and the reference image.
The lines must support the scene
without obscuring the character’s face, hands,
or the energy origin.
＿＿＿＿＿＿＿＿＿＿
⠀
作例
【溜めポーズ：基本プロンプトのみ】

【溜めポーズ：＋セリフ】

基本プロンプトで生成後、これを参照画像としてオプションを追加して生成していますが、元絵から1回の生成でも溜めポーズ＋セリフを出せます。

【かめはめ波風：基本プロンプトのみ】

【かめはめ波風：＋セリフ・擬音・集中線】

こちらも基本プロンプトで生成後、これを参照画像としてオプションを追加して生成していますが、元絵から1回の生成で溜めポーズ＋セリフ＋集中線も出せます。

作例は【超化プロンプト】でキャラクターを超化したイラストを参照画像に使用しています。超化するとカッコ良くなるのでおすすめです（※注意）。超化プロンプト他はリプ欄をご覧ください。

⚠️プロンプト使用上の注意
本プロンプトには、特定の作品名・作者名・キャラクター名等は一切含まれていませんが、生成モデルの内部処理や学習データに起因する連想まではコントロールできないため、結果として既存作品のキャラクター等に類似または該当する画像が生成される可能性があります。

生成された画像の利用・公開にあたっては、十分ご注意ください。

なお、本プロンプトの利用により生成された一切の成果物およびそれに起因するトラブル・損害等について、当方は一切の責任を負いかねます。ご自身の責任と判断においてご利用ください。 December 12, 2025